Recently, looking at the Winery, I once again noticed the large number of opposite-sex and same-sex couples, who are far and near corners of the territory selflessly take pictures of each other. This is mainly were not amateur footage on a mobile phone. Some people (mostly boys) large-clicked, mnogopikselnymi, mirrored guns, others (mostly girls) under the guidance of their cameras to take different positions. Looking at all this, I once again saw that picture won unconditional victory over reality. Talked about it in the Antonioni film "enlargements" – no photos, so there is no murder.

(This film I introduced would mandatory program, not only in specialized institutions, but also in Photoshop, as a precondition for the purchase). All these young people really do not photograph each other, and reproduce the endless images of Internet advertising and glossy magazines. Therefore, they look like animated images from "Billboards", so they know what posture to take in front of the lens and what camera to buy. But the reality of this conquest would not have happened if picture would not pre-routed the movie – in the sense in which it explained to us Deleuze. He defined the movie is not as moving pictures, but as something that arises "in the space between the images" (Aronson). In other words, movie – it's not what we see and what is not visible. Movie images arise in our minds as a result of the addition of memory, imagination and feelings. This type of perception of the unseen is very close to reading.